Again, 1pm, Tuesday August 16th at Hilbert Pianos in Bristol
Dedicated to Furthering Excellence in the Craft of Piano Technology




Our Next
is scheduled for Tuesday September 14th,
Topic:
Chris Rawson will give a presentation on the use of modern handheld computer technology to organize schedules and create databases on the go. The technical will begin with an open discussion on databases in general, then will talk about benefits of having a digital database, then of having a portable digital database. He will then describe how to build one using the Iphone app: Tap Forms Database, along with Microsoft Excel. Handheld scheduling software will also be discussed, along with how to use the database for digital billing.
Allan Day will demonstrate the technique of "molecular tuning" on problematic bass strings. This is a technique developed and tested by Marcel LaPointe of
Allan will also demonstrate how " Pitch-loc" clips can improve egregiously bad bass string bichord unisons and problems with front duplex noise.
Both Chris and Allan's program will be exploring how "cutting edge" technology can make you more resourceful.
Hello Piano Technicians!
Our next meeting is scheduled for Tuesday, January 12th, 2010 starting at around 3:30 (technical starts at around 4:15) at Hilbert Pianos in Bristol.
Please RSVP by replying to this email or calling 802-453-3743 (Hilbert Pianos) 40 Pleasant St, Bristol,VT. If you need directions, please reply and I’ll be happy to provide them to you. If the driving conditions are questionable on the day of the meeting, please call the Hilbert’s to see if the meeting is still on.
These opportunities can often come with a price tag, please take advantage of this FREE opportunity to improve and refine your skills.
Here is a description of the program, as described by Ed Hilbert:
JANUARY 12th: Part One
“As for this Tuesday, Emily and I will both be in the shop and can be available to any and all who would like to come and work on any aspect of piano work in which we may be able to help. In other words, have an open, hands-on for any who come. If we are lucky enough to have any of the more experienced technicians come then they too can share their pearls of wisdom.
If you are able to come, please email me or call (453-3743) to let me know you are planning to come. If you have a particular project or idea you wish to work on, let us know about that and we'll try to be prepared to help you with your particular interest. We'll be glad to see as many of you as can make it. We'll be here pretty much all day, but certainly from 3:30 (our regular starting time) on.
First, we should discuss basic concepts of how an action works and why it is designed as it is. We can discuss the artist's needs for control which includes ESP = Efficiency, Speed, and Power (the action conveying the artist's desires, repetition speed, and dynamic level range. How has the modern action evolved to answer these needs?
FEBRUARY, 9 2010 Part 2
The second presentation deals with what needs to be considered and done to many actions before they are really ready to be regulated. In other words, prep work such as cleaning, restoring proper friction, shaping of hammers, replacing or reshaping various parts (knuckles, wippen cloth, regulating button cloth, etc.) Only when this work is done is an action really ready for high level regulating.
MARCH 9th, 2010 Part 3
The third session would be actually going through the regulation procedure. Also, a discussion on the minimum and maximum parameters of various measurements and what happens when these get out of range - such as hammer blow, key dip, after-touch. etc. Jigs and tools to make the work easier and more accurate can be shown and explained.
April 13, 2010 Part 4
In the fourth session, we can discuss trouble shooting of various problems. While many of the common problems in actions not working well are cleared up in the preparation work and regulating, often actions just don't work properly because something fundamental (but not obvious) is wrong. This could include problems such as action geometry not being correct (think of parts that have moved, pot metal action brackets that have changed, etc.), incorrect parts having been installed by someone else previously, poor quality parts not functioning well, etc
The purpose of the Frederick Piano Collection is to give musicians and music lovers a chance to hear works by major piano composers, played on pianos such as those the composers knew, and for which their music was conceived.
The Collection includes only grand pianos, by important makers whose instruments were highly regarded in their day, acquired in basically good condition, with most of their original materials intact (especially soundboards). It aims to match each instrument to a specific composer or generation of composers known to have used or preferred that make and vintage of piano. The period of pianos in the Collection extends from about 1790 to 1907, representing music from Haydn and Beethoven through the French Impressionists.
We look forward to seeing you there. For more information please contact visit the web site.
It's BBQ time! Ed and Emily Hilbert will be hosting this month's get-together featuring a potluck cookout. So be sure to come with an empty stomach. Chicken and hamburgers will be provided. Please RSVP if you haven't already with what food you want to bring and eat.SOUNDBOARD AND RIB:
Ed Hilbert will be sharing his expertise on soundboard and rib repairs for both grands and uprights.
Date: May 12th Generally the second Tuesday of every month unless otherwise noted
Meeting Place: Ed and Emily Hilbert
40 Pleasant St.
Bristol, VT
Meeting Time: 3:30 - 6:00 PM
